Eden in the role of fairy at the arboretum in 2006. Picture by MadGiddy.

There is a demonstration garden at the college of agriculture and veterinarian arts, which lies between our flat and the children’s school. I walk through it sometimes, on my way back, to escape the roar of the traffic on the morning-busy streets around our new home. The garden is moving towards its finest season, unfurling leaves and blooms.

There might be fairies here, I think, and thin spaces such as the Celt’s revere. A friend of mine, a full-blown adult, believes in fairies. She is not the type to wear caftans either, or to name her children ‘Willow.’ She’s actually an incredibly intelligent and well reasoned academic. She works with the poor all over the world, and struggles to find paths of escape for those caught in the throes of human trafficking. She is wise, my friend, and knows you cannot love reason too much and still nurture hope. And so, fairies. Why not? Why can’t the earth and her energy—the creative force of fern and flower, earth and air—why can’t these things sometimes appear to those with sighted eyes? Stranger things have happened.

At the very least, there is creative power in this place, so eagerly tended by students, their futures unfurling before their very eyes—all the possibilities of their own growth spilling out with earth and seed from their mulch-rubbed fingertips. All this cultivating. All this growth. It is the first thing we know of our parental divines: God Created. God creates. In this bright urban garden, with people barely out of their teens, that holy work continues.

I walk through the curving paths, trying out a new graveled walk or step-stone passage each time I visit. Today the garden leads me to Mallard couples, sleeping in loose pairs on the grass with their heads tucked under their wings. They look for all the world like croquet balls abandoned when the players were called away to tea. There is a pond here too, with a marsh tucked into one curve, and a lily pad farm in the other. As I walk along the curve of the pond, past low borders of bent-willow fencing and calla lilies as yellow as lemon tarts, I am greeted by a cherry tree which stretches wide where the pond path meets the trail to the gate. I pause there under her branches, the beautiful cherry, always our first hope of Spring. The air seems to hum with energy. Thin Spots. Fairydom. In a heartbeat she christens me, the cherry tree and her humming court. And then, with a slight reluctance, I move on, towards the traffic and city bustle, the chores and the normal—life beyond the narrow gate.

Just before I reach the street, there is a transitional space of sorts—the brick-paved expanse of the college drive which stretches wide between the garden and the roadway. There, I am greeted by the school’s fountain: five charcoal granite slabs slick in the sunlight. I hesitate a moment, feeling obvious and strange. Then I walk up the slick lower steps to the spring bubbling forth at the top, dip in my hand, touch my forehead, breastbone, the boney crest of each shoulder.

A baptism then, into the life of fairy and mallard, lily and tree.

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Souren wearing the keffiyeh he got for his birthday in 2005.

If you walk around downtown Copenhagen for any length of time, you will see dozens of teens wearing the keffiyeh. White kids, most of them with shockingly blond hair, sporting the keffiyeh as an accessory to tight jeans and Chuck Taylor all stars. The boys wear them in the traditional black or red. The girls have them in everything from turquoise to hot pink. You can get them for less than $50 kroner ($10 US) at any stand on the street.

I asked our sometimes-teenager Souren, who lived most of his life with the Euro-kids in Germany, what this prevalence of the keffiyeh is all about. Did it mean that a lot of young people in the EU supprted Palestine’s quest for independence? Did it have something to do with aligning themselves with the much-maligned Muslim communities here in Denmark? Did the girls wear it as feminist statement aligning them with freedom-fighter Lelia Kahled, who was one of the first women to be noted wearing the traditionally male headscarf? Were they showing solidarity with recent Muslim immigrants who are struggling in this new country? What was the appeal of these Middle-Eastern head coverings worn in this cold clime as scarves against the winter chill?

Souren tells me that in Germany kids who like the peace loving tunes of reggae & skaa punk wear them; and that these kids often go to protests against the neo-Nazis. (Something that looms larger in his German upbringing than it ever did in my Californian youth.) But here, they seem to be merely in fashion.

I am long past being a teen, and I think that in this society, it would be ridiculous of me to wear the keffiyeh. But part of me wants to don this ethnic wear, to wrap something around me that would stand out as a sign to my Muslim neighbors – something that would say “I am with you. Don’t be afraid. You would have a warm welcome here.”

As racism and tragedy seep like poison into the veins of my new city, this becomes my prayer—that peaceful ties might reign in my neighborhood. That love might stretch across the great divide. That I might wear a badge of solidarity with all of those who seek to co-exist, as we wend our way towards Allah, towards God, toward Yahweh–stumbling as we are towards the Great Divine.

is it enough
this story,
this ideal,
this wistful thing—

the teacher speaking soft in the garden,
mouthing my name,
warm-blooded and real.

when I grow tired of picking,
sorting fact from fiction,
lies like stones among the lentils,
truths as yellow bulbs among the rocks,

when I tire of this painstaking plucking

i hold instead,
one smooth egg
one round stone
one child, with chocolate on her mouth and songs on her tongue.

he is wisen, comes the lisp
he is wisen indeed!

tell me true things, i whisper,
my face held close,
warm against her neck.

she sings to me
an edict, a lullaby,
ubi caritas, maman,
ubi caritas et amor
ubi caritas, deus ibi est.

where there is charity, there is love
where there is love
there god is.

enough, i think,
to hold this egg
this stone
this child
enough, to say ‘amen.’

The snow
began here
this morning and all day
continued, its white
rhetoric everywhere
calling us back to why, how,
whence such beauty and what
the meaning;

and though the questions
that have assailed us all day
remain–not a single
answer has been found–
walking out now
into the silence and the light
under the trees,
and through the fields,
feels like one.

Mary Oliver
New and Selected Poems: Volume One
New and Selected Poems, Volume Two

“Lie back, daughter, let your head be tipped back
in the cup of my hand.
Gently, I will hold you.
Spread your arms wide, lie out on the stream and look high at the gulls.

Phillip Booth, Words of Mouth

cate and pelt at the dog park

sometimes, simple moments seem sacred.
savor them at sacred life sunday.
namaste.